image of a vintage postcard

University IBERO: Past Present

Past Present: Racism, Colonialism, and the Postcard
Curated by César Carrillo Trueba

The history of the postcard is closely linked to the history of European colonial expansion. Although the themes found in postcards can very greatly, it has become clear that images depicting the colonies, and recently annexed territories, greatly contributed to the idea of empire, and as such, were widely circulated. The profusion of colonial imagery found in postcards allows us to better understand how these images shaped and defined the ways that colonized peoples were seen around the world. Because of this, the postcard would become foundational in representing, in looking, and in conceiving the “Other” within the global north.

The intention of this exhibition is to demonstrate how the colonial perspective projected and shaped the idea of inferiority that was attributed to the “other.”

The golden age of postcards has passed, their production declined, but the persistence of these images within the racial imaginary has remained largely unchanged. The exhibition seeks to generate a greater awareness of the postcard, and to encourage reflection and discussion on colonial history, as well as on the racism that underlies it, and still informs our relationships with the peoples and cultures that were once so marginalized.

Ken Gonzales-Day will be in Conversation with César Carillo Trueba, at the Galería Andrea Pozzo SJ, IBERO, Mexico City, Mexico, on Sept. 19.

An view of an art installation
Installation view

Pasado presente. Racismo y colonialismo en la tarjeta postal

La tarjeta postal se encuentra estrechamente ligada a la expansión colonial europea. Si bien los temas que la postal abarca son muy amplios, las imágenes de las colonias, territorios recién anexados que formaban parte de los imperios en formación, tuvieron una intensa circulación. Su profusión permite entender cómo fueron constituyendo una imagen de los diferentes pueblos del mundo. La tarjeta postal será así un elemento fundamental en la formación de una manera de representar, de mirar, de concebir a los demás pueblos del mundo.
La intención de esta exposición es mostrar cómo, desde la mirada de los colonizadores, se conformó la imagen de inferioridad que se le atribuía al “otro”.
La época de oro de las postales pasó, su producción decayó, pero su persistencia en el imaginario se ha mantenido. Así, la muestra busca contribuir a generar una mayor conciencia al respecto, a propiciar una reflexión y discusión sobre la mirada colonial y el racismo que subyace a ella y que todavía impregna nuestra relación con pueblos de distinta cultura a la dominante.
September 12 – December 6
Universidad Iberoamericana
Mexico City