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Unseen: Our Past in a New Light

Excerpt:

Unseen: Our Past in a New Light Ken Gonzales-Day and Titus Kaphar

The early history of portraiture in the United States, from the country’s founding to the
advent of photography in 1839, favored white men who owned land and could vote. Similar to developments in Europe,

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Ken Gonzales-Day: Surface Tension

Gonzales-Day, Blurb, June 09, 2018

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In this place where the guest rests

Franklin Street Works, Jan 20 – May 13, 2018

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You May Have the Body. Or You May Not: Habeas Corpus in the Museum.

Lisa Saltzman, Phantom Bodies, ed. Mark W. Scala, Frist Center, 2015

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Our America: The Latino Presence in American Art

Carmen E. Ramos, Smithsonian Institution, Sept. 01, 2014

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Network of Mutuality: 50 Years Post-Birmingham. (travelled)

Ken Gonzales-Day, Art Gallery, University of Maryland, Jan. 30, 2013

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Making Faces: Constructed Portraits

Karen Sinsheimer, Portrayal /Betrayal, Santa Barbara Museum of Art, 2012

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Ken Gonzales-Day in COLA 2011

Vanessa Place, COLA 2011, Los Angeles Municipal Art Gallery, spring 2011

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Profiled.

Ken Gonzales-Day, Las Cienegas Projects, Mar. 5, 2011

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Messerschmidt’s Artistic Reception at the Two Fins-de-Siècle.

Antonia Broström, Franz Xaver Messerschmidt 1736-1783, Louvre Editions, 2010

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How Many Billboards: Art in Stead.

Kimberli Meyer, MAK Center for Art and Architecture, Feb. 5, 2010

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Ken Gonzales-Day’s Lynching in the West

Juli Carson, CUE Art Foundation, Sept. 7, 2006

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