Press

YaleNews: Yale-Smithsonian internships offer exciting research opportunities

September 15, 2018
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Hyperallergic: How to Talk About Whiteness

July 28, 2018
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Chicago Sun Times: History unseen

July 20, 2018
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AP: Smithsonian gallery explores diversity in US lynchings

July 20, 2018
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Neue Zürcher Zeitung: Lynching in den USA: Auch der Mob mordet mit System

July 16, 2018
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Durango Herald: The legacy of lynching in the West

July 16, 2018
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Hyperallergic: Titus Kaphar and Ken Gonzales-Day Reveal the Fictions in Depictions

June 21, 2018
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Smithsonian Insider: By removing victims from lynching photos, an artist emphasizes those erased from history

June 11, 2018
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Washington Post: Intriguing and unexpected art shows

June 6, 2018
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Les Cahiers de Framespa: L’effacement des lynchages californiens

June 4, 2018
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Smithsonian Magazine: Two Artists in Search of Missing History A new exhibition makes a powerful statement about the oversights of American history and America’s art history

April 6, 2018
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Los Angeles Times: Guggenheim Memorial Foundation announces new fellows

April 5, 2018
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Culture Type: National Portrait Gallery

March 29, 2018
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National Portrait Gallery: Unseen – Our Past in a New Light

March 23, 2018
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Smithsonian: National Portrait Gallery Presents “UnSeen: Our Past in a New Light”

March 18, 2018
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ArtfixDaily: National Portrait Gallery Presents “UnSeen: Our Past in a New Light”

March 12, 2018
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Riot Material: Ken Gonzales-Day’s Bone-Grass Boy

January 27, 2018
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KCRW: Hunter Drohojowska-Philp checks out PST LA/LA

January 20, 2018
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LA Times: ‘Into Action’ festival blends art, music and social justice;

January 13, 2018
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PHOTOCULTURE: Conversations

December 12, 2017
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THE DEPAUW: Giving attention to those history has erased

November 14, 2017
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Artillery: Erzah Jean Black on Bone-Grass Boy

November 12, 2017
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Figures de l’art, #30: Á la péripherie du regard..

November 12, 2017
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Hyperallergic: An Artist Reimagines His Ancestors Through Costumed Self-Portraits

October 25, 2017
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Book cover

Routledge: Museums and Photography

October 22, 2017
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Art and Cake: Ken Gonzales-Day at Skirball Cultural Center

October 20, 2017
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KCET: Photographer Parses the Politics and Relevance of L.A.’s Murals and Marks

October 14, 2017
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St. Olaf College: Flaten Art Museum exhibit addresses racialized violence 

October 11, 2017
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Telemundo52: Los Angeles se mira en el espejo de su arte callejero

October 6, 2017
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LAist: This Artist Photographed Murals All Across Los Angeles

October 5, 2017
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"Surface Tension," Skirball Cultural Center, and Getty PST: LA/LA, 2017

LA Times Datebook: Capturing art on L.A. streets..

October 5, 2017
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KCRW: Press Play with Madeleine Brand

October 5, 2017
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L.A. TACO: Surface Tension by Ken Gonzales-Day

October 3, 2017
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Artillery: Galerías En LA/LA

September 30, 2017
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HuffPost & KCRW: Is It Clay? No, Glass! Is It Woman? No, Man!

September 14, 2017
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LA Weekly: What Is Latin American Art?

September 12, 2017
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Hyperallergic: PST Returns with Sprawling Latin American and Latino Art Program

September 12, 2017
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Artnet News: How PST Is Writing Long-Overlooked Chicano Artists Back Into Art History

September 12, 2017
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Los Angeles Magazine: Crossing Artistic Boarders

September 10, 2017
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David William Foster: Picturing the Barrio

August 25, 2017
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Frieze: Against the Wall

August 25, 2017
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Artnet: Tear Down the Confederate Monuments—But What Next?

August 24, 2017
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New York Times: Art Once Shunned, Now Celebrated in ‘Found

August 24, 2017
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La Opinión: Dejando huella a través de murales y letreros La exposición “Tensión Superficial” del artista Ken Gonzáles-Day destaca lo mejor de Los Ángeles

August 17, 2017
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Scripps: Ken Gonzales-Day Exhibits are on “Not to Miss” List

July 30, 2017
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41 objects arranged by color

Chapman University, Orange, CA

July 17, 2017
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ARTFORUM: Ken Gonzales-Day: Minnesota Museum of American Art

June 3, 2017
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John Simon Guggenheim Memorial Foundation: fellows include artist Ken Gonzales-Day

April 7, 2017
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Photograph Magazine: SHADOWLANDS

February 28, 2017
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El Pasajero: Artistas de Metro: Ken Gonzales-Day crea una ventana a la naturaleza

February 6, 2017
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