Press

Tree at night

SYMPOSIUM: Past/Future Present

November 19, 2023
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LACMA: Acquires Run Up and Untitled (After Hale Woodruff, Giddap, 1935)

November 17, 2023
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two busts of womyn

Hyperallergic: 10 Shows to See in Los Angeles in November

November 1, 2023
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Claremont Courier: Lining the walls… Ken Gonzales-Day at Scripps and CLMA

October 26, 2023
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LACE: Benefit Art Auction is LIVE!

October 15, 2023
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Kelee Katillac: Historic Style

October 10, 2023
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Daily Bulletin: “Face to Face”

October 6, 2023
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Mirzoeff: An Introduction to Visual Culture

October 6, 2023
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LA TIMES: Two rewarding MOCA permanent collection exhibits map L.A. art

September 7, 2023
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Many wests install

CITYPAPER: SAAM’s Many Wests…

September 4, 2023
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DUKE: Lynching in the West: 1850–1935

September 1, 2023
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Brooklyn Rail & Washington Post: Many Wests

August 30, 2023
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American Art: Mary K. Coffee, Feeling Brown or Acting White?: Spectacles of Racialized Performance…

August 3, 2023
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Art Institute, Chicago, IL

June 28, 2023
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MoMA, NY, NY

May 30, 2023
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OUTWORDS: Ken Gonzales-Day

May 24, 2023
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Archives of American Art Journal: In Another’s Hand

April 1, 2023
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LA.COM: MOCA Added 123 Artworks in 2022

January 31, 2023
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ARTFORUM: Conceptions of White

January 14, 2023
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L.A.TACO: CALIFORNIA’S LOST HISTORY OF LYNCHING LATINOS IN L.A.

December 22, 2022
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UNDARK: What’s in a Genome? The Quest to Decipher Human Difference

December 17, 2022
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Cyrielle Lévêque: Spectaculariser Le Sacrifice – Une Lecture de L’Oeuvre de Ken Gonzales-Day

December 4, 2022
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Routledge: Survey Practices and Landscape Photography Across the Globe

November 30, 2022
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Run Up

Smarthistory: Ken Gonzales-Day, Erased Lynching Series

November 2, 2022
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DiscoverLosAngeles: Gabriel Sanchez, Ken Gonzales-Day, & Phung Huynh

October 31, 2022
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LACE Benefit Art Auction: Renovate and Relaunch

October 14, 2022
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Latinx Project: Latinx Futurisms in (Public) Space

September 27, 2022
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Osage News: Portrait and bust of Shonke Mon thi^

September 4, 2022
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LA TIMES: Art that speaks for the trees

August 20, 2022
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George Eastman Museum, Rochester, NY

July 22, 2022
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The Racial Imaginary Institute: Claudia Rankine On Whiteness

July 22, 2022
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Panorama: Ellery Foutch on Iconoclasm on Paper

June 19, 2022
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Anderson Ranch: Visiting Artist – Ken Gonzales-Day

June 10, 2022
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grid of artists faces with various expressions

The Source: Artists selected for Purple (D Line) Extension Transit Project

May 4, 2022
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Editorial in the Financial Mail: No Healing without justice..

March 18, 2022
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Getty Acquires Major works: Representation Matters

March 11, 2022
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Feminist Media Histories: Queer Archival Autoethnography

March 5, 2022
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Artillery: Pick of the Week

February 10, 2022
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Image of a crowd under telephone pole

The Atlantic: Now We Know Their Names

February 3, 2022
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Three girls in costumes

LA TIMES: Aperture covers a century of Latino image-making.

January 15, 2022
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Aperture 245: LATINX

December 12, 2021
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partial face mold

Scripps Magazine: Critical Action

December 1, 2021
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Daily Trojan: Artist discusses ‘Erased Lynching’ photo series

November 13, 2021
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Nizan Shaked: Subjugated Knowledges, Revisionist Histories, and the Problem of Visibility

November 10, 2021
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Out of Place: Artists, Pedagogy, and Purpose

November 1, 2021
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USC Fisher Museum of Art: Artist’s Talk

October 14, 2021
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Ferrer: Latinx Photography in the United States

October 11, 2021
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FILTERPHOTO: Featured Evening Speaker

September 23, 2021
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Venice BIENNALE: Weschler in conversation

September 10, 2021
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Getty Museum Acquires Ken Gonzales-Day Photographs

August 30, 2021
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