Press

MoMA, NY, NY

May 30, 2023
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OUTWORDS: Ken Gonzales-Day

May 24, 2023
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Archives of American Art Journal: In Another’s Hand

April 1, 2023
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LA.COM: MOCA Added 123 Artworks in 2022

January 31, 2023
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ARTFORUM: Conceptions of White

January 14, 2023
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L.A.TACO: CALIFORNIA’S LOST HISTORY OF LYNCHING LATINOS IN L.A.

December 22, 2022
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Undark: What’s in a Genome? The Quest to Decipher Human Difference

December 17, 2022
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Cyrielle Lévêque: Spectaculariser Le Sacrifice – Une Lecture de L’Oeuvre de Ken Gonzales-Day

December 4, 2022
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Routledge: Survey Practices and Landscape Photography Across the Globe

November 30, 2022
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Run Up

Smarthistory: Ken Gonzales-Day, Erased Lynching Series

November 2, 2022
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DiscoverLosAngeles: Gabriel Sanchez, Ken Gonzales-Day, & Phung Huynh

October 31, 2022
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LACE Benefit Art Auction: Renovate and Relaunch

October 14, 2022
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Latinx Project: Latinx Futurisms in (Public) Space

September 27, 2022
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Osage News: Portrait and bust of Shonke Mon thi^

September 4, 2022
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LA TIMES: Art that speaks for the trees

August 20, 2022
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George Eastman Museum: Acquires Work

July 22, 2022
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The Racial Imaginary Institute: Claudia Rankine On Whiteness

July 22, 2022
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Panorama: Ellery Foutch on Iconoclasm on Paper

June 19, 2022
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Anderson Ranch: Visiting Artist – Ken Gonzales-Day

June 10, 2022
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grid of artists faces with various expressions

The Source: Artists selected for Purple (D Line) Extension Transit Project

May 4, 2022
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Editorial in the Financial Mail: No Healing without justice..

March 18, 2022
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Getty Acquires Major works: Representation Matters

March 11, 2022
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Feminist Media Histories: Queer Archival Autoethnography

March 5, 2022
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Artillery: Pick of the Week

February 10, 2022
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Image of a crowd under telephone pole

The Atlantic: Now We Know Their Names

February 3, 2022
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Three girls in costumes

LA TIMES: Aperture covers a century of Latino image-making.

January 15, 2022
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Aperture 245: LATINX

December 12, 2021
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partial face mold

Scripps Magazine: Critical Action

December 1, 2021
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Daily Trojan: Artist discusses ‘Erased Lynching’ photo series

November 13, 2021
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Nizan Shaked: Subjugated Knowledges, Revisionist Histories, and the Problem of Visibility

November 10, 2021
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Out of Place: Artists, Pedagogy, and Purpose

November 1, 2021
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USC Fisher Museum of Art: Artist’s Talk

October 14, 2021
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Ferrer: Latinx Photography in the United States

October 11, 2021
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FILTERPHOTO: Featured Evening Speaker

September 23, 2021
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Venice BIENNALE: Weschler in conversation

September 10, 2021
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Getty Museum Acquires Ken Gonzales-Day Photographs

August 30, 2021
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Williamson Art Gallery: L.A. EDGE

August 27, 2021
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GETTY VILLA: Art Break – Portraiture

July 9, 2021
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PAC TALKS: In Conversation with Ken Gonzales-Day

June 11, 2021
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SFGATE: The Northern California town where lynchings were a point of pride, until they weren’t

June 6, 2021
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Spotify: The Modern Art Notes Podcast, Ken Gonzales-Day

May 24, 2021
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LA Times: California has a history of racist lynchings, too.

May 10, 2021
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LA WEEKLY: TRANSFORMATIONS IN ART & DESIGN

May 9, 2021
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An Abolitionist Symbol: Hiram Powers’s “Greek Slave”

May 1, 2021
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New York Times: Art lights up New York’s dark theaters

March 30, 2021
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Getty Museum: Photography as Revolutionary Aesthetic

February 14, 2021
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CAA: The Color of Joy

January 16, 2021
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UCSC TRACTION ART TALK: KEN GONZALES-DAY & KAROLINA KARLIC

January 9, 2021
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Logo for Archives of American Art

Smithsonian Archives of American Art: Pandemic Oral History Project

November 27, 2020
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Southern Futures: Belonging + Unbelonging

November 24, 2020
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