Getty Museum: Photography as Revolutionary Aesthetic

February 14, 2021
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CAA: The Color of Joy

January 16, 2021
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UCSC TRACTION ART TALK: KEN GONZALES-DAY & KAROLINA KARLIC

January 9, 2021
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Logo for Archives of American Art

Smithsonian Archives of American Art: Pandemic Oral History Project

November 27, 2020
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Southern Futures: Belonging + Unbelonging

November 24, 2020
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55th Annual UCLA Art History Grad Symposium: Speculative Forensics

November 2, 2020
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man taking photo in a musuem

LACMA PANEL:The Artist in the Museum

October 19, 2020
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UCI Monthly Muse: IMCA

October 7, 2020
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Kunsthalkade, Amersfoort: This Is America | Art USA Today

September 26, 2020
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Artillery: The Democracy Project

September 16, 2020
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Curationist: Ken Gonzales-Day Finds Incomplete Histories

September 11, 2020
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XMAP: In Plain Sight, The Los Angeles Orbit Panel

August 13, 2020
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The Spread Flyer

de boer LA: The Spread

August 1, 2020
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New Link Art: The Present is a Constant Reminder of the Past

July 31, 2020
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MacKenzie Art Gallery: Conceptions of White

July 12, 2020
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Abolition Now written in sky typing

#XMAP: In Plain Sight

July 1, 2020
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Lenscratch: Gonzales-Day’s History Based Landscapes

June 22, 2020
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Min-Yuen S. Ma: There is no soundtrack

June 10, 2020
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National Geographic: Erased Lynching Series

June 6, 2020
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National Geographic: ‘It was a modern-day lynching’

June 4, 2020
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MUSÉE: From our Archives

June 3, 2020
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Bridge Projects: Echo/ Locate

May 25, 2020
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OSMOS Magazine: Selection from the Erased Lynchings series

March 25, 2020
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New York Times: At Michigan State, Bold Statements About Big Issues

March 12, 2020
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Bridge Projects, LA: To Bough & To Bend

March 1, 2020
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Ken Gonzales-Day, "“Shonke Mon thi^," Profiled Series, 2014

Recognition of Major Osage Leader and Warrior Opens a New Window Into History

February 20, 2020
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Broad Museum MSU: Visual Citizenship

February 12, 2020
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Yale Art Gallery: Artistic Confrontations of Racial Terror Panel

February 1, 2020
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Luis de Jesus: UNTITLED. San Francisco

January 16, 2020
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Silicone Valley Voice: Photographs Prick Social Conscience

January 8, 2020
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Culver City News: The History of Forgetting

December 17, 2019
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The Guardian: Images of Whiteness

December 13, 2019
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Racial Immanence: Chicanx Bodies Beyond Representation

December 4, 2019
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Luis de Jesus: Untitled. Miami

November 30, 2019
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Visiting Artist Lecture

November 24, 2019
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Smithsonian: Shonke Mon thi^ by Artist Ken Gonzales-Day

November 12, 2019
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book cover

1000 Words Magazine: The Image of Whiteness

October 5, 2019
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Santa Clara University: Photography for Social Justice

September 27, 2019
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Osage News: Acquires portrait of Shonke Mon thi^

August 30, 2019
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SF CAMERAWORK: AUCTION

August 29, 2019
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Jefferson Public Radio: A Historic Horror Story

August 13, 2019
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Self Help Graphics: Black, Brown, and Beige

July 31, 2019
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Vancouver Biennale

Vancouver Biennale: Open Studio Workshop

June 9, 2019
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Scripps College: Announces Three Endowed Chairs for 2019

June 9, 2019
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RTESY ASSOCIATION OF ART MUSEUM CURATORS

Association of Art Museum Curators: Names Recipients of 2019 Awards for Excellence

May 7, 2019
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Mutual Art: New Frontiers at Frieze New York 2019

May 5, 2019
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Ken Gonzales-Day, “Americas (Large constellation): Mexico (unless noted), “Dog; Standing Dog; Dog with Human Mask; Baby Figure; Columbia, Figure with Ligatures on the Arms and Legs; Standing Female Figure; Standing Male Figure; Man Using Tumpline to Carry Vessel; Standing Couple, Male Figure; Seated Figure; Seated Female on Bench; Columbia, Hollow-slab Seated Female with Geom Designs; Seated Male Figure; Male Seated on Bench; Hunchback; Seated Couple; Joined Couple (all LACMA), 2019, 40 x 50 in., archival ink on Canson PhotoSatin paper. Courtesy of the artist and Luis De Jesus Los Angeles.

Freize: Diálogos

April 23, 2019
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girl in front of a photo of two busts of women

21c Museum Oklahoma City: Seeing Now

April 1, 2019
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Frieze New York 2019

Luis de Jesus/ El Museo: Frieze New York

March 9, 2019
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CAA: Artists and the Research Institute

February 9, 2019
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