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Monographs, essays, texts,

Unseen: Our Past in a New Light

Excerpt:

Unseen: Our Past in a New Light Ken Gonzales-Day and Titus Kaphar

The early history of portraiture in the United States, from the country’s founding to the
advent of photography in 1839, favored white men who owned land and could vote. Similar to developments in Europe,

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Surface Tension: Mapping Murals in Los Angeles

Ken Gonzales-Day, East of Borneo, June 26, 2018

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Ken Gonzales-Day: Surface Tension

Gonzales-Day, Blurb, June 09, 2018

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Haptic Blackness: The Double Life of an 18th-century Bust.

Cyra Levenson and Chi-ming Yan, Ken Gonzales-Day, British Art Studies, Issue 1, Nov. 2016

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39 Objects Arranged by Color.

Ken Gonzales-Day, Artillery Magazine, May 3, 2016

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Angle of View: Histories in Sharp Focus

Ken Gonzales-Day, Huffpost Arts & Culture, Mar. 2015

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Tom of Finland.

Ken Gonzales-Day, Encyclopedia of Human Sexuality, Whiley-Blackwell, 2014

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Edge of Twilight.

Ken Gonzales-Day, Connie Samaras: Tales of Tomorrow, Armory Center, 2013

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Edward S. Curtis: Visualizing the ‘Vanishing Race.’

Ken Gonzales-Day, Performing Archive: Ed. by Jacqueline Wernimont, David J. Kim, Amy Borsuk, et al.,
SCALAR, University of Southern California, 2013

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From Postcards to Plaster Casts: The Image of Lynching in Kienholz’s Five Car Stud.

Ken Gonzales-day, Art Journal, Vol. 76. No. 1, Spring 2012

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Fragments from the Profiled Series.

Ken Gonzales-Day, X-TRA Contemporary Art Quarterly, Sept. 2011.

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Images from ‘The Bone-Grass Boy Series.

Ken Gonzales-Day, The Josh, Issue # 3, 2011

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Profiled.

A PAC Prize Book, LACMA, 2011, Los Angeles.

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Focus: Ken Gonzales-Day.

Ken Gonzales-Day, SuperMassiveBlackWhole, Issue 6, 2010

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Selections from Profile Series.

Ken Gonzales-Day, Getty Research Journal, No. 2, 2010

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