ARTFORUM: Conceptions of White
Artforum, Dec 22
Bibliography
Essays, catalogs, reviews, interviews
L.A.TACO: CALIFORNIA’S LOST HISTORY OF LYNCHING LATINOS IN L.A.
Victoria Valenzuela, L.A.TACO, Dec 21, 2022
Undark: What’s in a Genome? The Quest to Decipher Human Difference
Michael Schulson, Undark Magazine, Dec 13, 2022
Cyrielle Lévêque: Spectaculariser Le Sacrifice – Une Lecture de L’Oeuvre de Ken Gonzales-Day
Magali Nachtergael, Anne Reverseau (dir.), Un monde en cartes postales. Cultures en circulation, 2022
The Racial Imaginary Institute: Claudia Rankine On Whiteness
The Racial Imaginary Institute, SPBH EDITIONS, 2022
Editorial in the Financial Mail: No Healing without justice..
Shirley de Villiers, Financialmail, Mar 18, 2022
Block Museum: A Site of Struggle, American Art against Anti-Black Violence
Block Museum of Art, Northwestern University
LA TIMES: Aperture covers a century of Latino image-making.
Carolina Miranda, Newsletter, LA TIMES, Jan 15, 2021
Aperture 245: LATINX
Ken Gonzales-Day & Jesse Alemán, Always in Resistance, Aperture 245, Winter 2021
Nizan Shaked: Subjugated Knowledges, Revisionist Histories, and the Problem of Visibility
Nizan Shaked, In and Out of View, Bloomsbury Press, 2021
Out of Place: Artists, Pedagogy, and Purpose
Out of Place, ed. by Tim Doud, Zoë Charlton, Punctum Books, Winter 2022
Ferrer: Latinx Photography in the United States
Elizabeth Ferrer, Latinx Photography in the U.S., 2011
SFGATE: The Northern California town where lynchings were a point of pride, until they weren’t
Dylan Svoboda, The Northern California town…, SFGATE, Jun 5, 2021
Spotify: The Modern Art Notes Podcast, Ken Gonzales-Day
The Modern Art Notes Podcast, Spotify, May 24, 2021
LA Times: California has a history of racist lynchings, too.
Gustavo Arellano, “California has a history of racist lynchings, tooL.” Los Angeles Times, May 10, 2021
Wende: TRANSFORMATIONS
TRANSFORMATIONS: Living Room->Flea Market -> Museum -> Art INTRODUCTION Words, images, and things can be turned upside down by crossing borders in time and space, and by traveling across cultures. A series of mostly peaceful revolutions culminated in the fall of the Berlin Wall in November 1989 and the disintegration of the Soviet Union in …
Washington & Lee University: Profiled
Staniar Gallery, Washington & Lee University, Apr 26 – May 28, 2021
Bridge Projects: To Bough and To Bend
Catalogue to accompany Bridge Projects’ group exhibition: “To Bough and To Bend” featuring artists Robert Adams, Miya Ando, Charles Burchfield, Pamela Burgess, Daniel Cheek, Zoe Crosher, Gil Delindro, Kieran Dodds, Chris Garofalo, Ken Gonzales-Day, Todd Gray, Tim Hawkinson, Leonor Jurado, Kazuo Kadonaga, Corita Kent, Siobhan McDonald, Ralph Eugene Meatyard, Jarrett Mellenbruch, Harold Mendez, Billy Joe …
Smithsonian Archives of American Art: Pandemic Oral History Project
Josh T Franco, Pandemic Oral History Project, Smithsonian Archives of American Art, Nov 27, 2020
Southern Futures: Belonging + Unbelonging
Annette Rodríguez + Seth Kotch, Southern Futures, Nov 23, 2020
Kunsthalkade, Amersfoort: This Is America | Art USA Today
Kunsthal Kade, Amersfoort, Netherlands, Sept 26, 2020 – Jan 03. 2021
XMAP: In Plain Sight, The Los Angeles Orbit Panel
The Los Angeles Orbit Panel, MoCA, Thursday, August 13, 2020
New Link Art: The Present is a Constant Reminder of the Past
Linday McCulloch, New Link Art, July 30, 2020
Min-Yuen S. Ma: There is no soundtrack
There is no soundtrack is a study of how sound and image produce meaning in contemporary experimental media art by artists ranging from Chantal Akerman to Nam June Paik to Tanya Tagaq. It contextualises these works and artists through key ideas in sound studies: voice, noise, listening, the soundscape and more. The book argues that …
National Geographic: ‘It was a modern-day lynching’
Deneen L. Brown, National Geographic, Jun 03, 2020
MUSÉE: From our Archives
Andrea Blanch, Ken Gonzales-Day, MUSÉE Magazine, N0. 12, Controversy, Jun 3, 2020
