Edward S. Curtis: Visualizing the ‘Vanishing Race.’
Ken Gonzales-Day, Performing Archive: Ed. by Jacqueline Wernimont, David J. Kim, Amy Borsuk, et al., SCALAR, University of Southern California, 2013
Lynchings in the West, Erased from History and Photos.
Marice Berger, Lens, New York Times, Dec. 6 2012
From Postcards to Plaster Casts: The Image of Lynching in Kienholz’s Five Car Stud.
Ken Gonzales-day, Art Journal, Vol. 76. No. 1, Spring 2012
Empire’s Verticality: The Af/Pak Frontier, Visual Culture, and Racialization from Above
Keith P. Feldman., Comparative American Studies, Vol. 9, No. 4, Dec. 2011
Fragments from the Profiled Series.
Ken Gonzales-Day, X-TRA Contemporary Art Quarterly, Sept. 2011.
Every Little Move.
Avram Finkelstein, PRIDE X, Gay Pride Festival, Jun. 16, 2011
Ken Gonzales-Day in COLA 2011
Vanessa Place, COLA 2011, Los Angeles Municipal Art Gallery, spring 2011
Silent Witness: Violence and Representation.
Shane Anderson, Crystal Campbell, Tania Jabour, Diana McClure, Omar Pimienta and Steve Ruiz, Pros*, Issue 1, University of California, 2011
In the Studio: Ken Gonzales-Day.
Holly Meyers, Los Angeles Times, Feb. 13, 2011
Messerschmidt’s Artistic Reception at the Two Fins-de-Siècle.
Antonia Broström, Franz Xaver Messerschmidt 1736-1783, Louvre Editions, 2010
The Presence of Los Angeles: Prescription and Prediction.
Nizan Shaked. How Many Billboards, MAK Center, 2010
The Camera and the “Physiognomic Auto-da-fe”: Photography, History, and Race in Two Recent Works by Ken Gonzales-Day.
Jason Hill, X-TRA, Vol. II, Spring 2009
How Many Billboards: Art in Stead.
Kimberli Meyer, MAK Center for Art and Architecture, Feb. 5, 2010
Digital Art
Thames & Hudson, 2008, London.
Ken Gonzales-Day’s Lynching in the West
Juli Carson, CUE Art Foundation, Sept. 7, 2006
California Strange Fruit: Ken Gonzales-Day’s “Lynching in the West”
Anna Meliksetian, Cue Art Foundation, Sept.7, 2006
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