Edward S. Curtis: Visualizing the ‘Vanishing Race.’
Ken Gonzales-Day, Performing Archive: Ed. by Jacqueline Wernimont, David J. Kim, Amy Borsuk, et al.,
SCALAR, University of Southern California, 2013Read more ›
SCALAR, University of Southern California, 2013Read more ›
Lynchings in the West, Erased from History and Photos.
Marice Berger, Lens, New York Times, Dec. 6 2012Read more ›
From Postcards to Plaster Casts: The Image of Lynching in Kienholz’s Five Car Stud.
Ken Gonzales-day, Art Journal, Vol. 76. No. 1, Spring 2012Read more ›
Empire’s Verticality: The Af/Pak Frontier, Visual Culture, and Racialization from Above
Keith P. Feldman., Comparative American Studies, Vol. 9, No. 4, Dec. 2011Read more ›
Fragments from the Profiled Series.
Ken Gonzales-Day, X-TRA Contemporary Art Quarterly, Sept. 2011.Read more ›
Every Little Move.
Avram Finkelstein, PRIDE X, Gay Pride Festival, Jun. 16, 2011Read more ›
Ken Gonzales-Day in COLA 2011
Vanessa Place, COLA 2011, Los Angeles Municipal Art Gallery, spring 2011Read more ›
Silent Witness: Violence and Representation.
Shane Anderson, Crystal Campbell, Tania Jabour, Diana McClure, Omar Pimienta and Steve Ruiz, Pros*, Issue 1, University of California, 2011Read more ›
In the Studio: Ken Gonzales-Day.
Holly Meyers, Los Angeles Times, Feb. 13, 2011Read more ›
Messerschmidt’s Artistic Reception at the Two Fins-de-Siècle.
Antonia Broström, Franz Xaver Messerschmidt 1736-1783, Louvre Editions, 2010Read more ›
The Presence of Los Angeles: Prescription and Prediction.
Nizan Shaked. How Many Billboards, MAK Center, 2010Read more ›
The Camera and the “Physiognomic Auto-da-fe”: Photography, History, and Race in Two Recent Works by Ken Gonzales-Day.
Jason Hill, X-TRA, Vol. II, Spring 2009Read more ›
How Many Billboards: Art in Stead.
Kimberli Meyer, MAK Center for Art and Architecture, Feb. 5, 2010Read more ›
Digital Art
Thames & Hudson, 2008, London.Read more ›
Ken Gonzales-Day’s Lynching in the West
Juli Carson, CUE Art Foundation, Sept. 7, 2006Read more ›
California Strange Fruit: Ken Gonzales-Day’s “Lynching in the West”
Anna Meliksetian, Cue Art Foundation, Sept.7, 2006Read more ›
