Essays (w/content by various authors)

American Art: Mary K. Coffee, Feeling Brown or Acting White?: Spectacles of Racialized Performance…

August 3, 2023
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Archives of American Art Journal: In Another’s Hand

April 1, 2023
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L.A.TACO: CALIFORNIA’S LOST HISTORY OF LYNCHING LATINOS IN L.A.

December 22, 2022
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Cyrielle Lévêque: Spectaculariser Le Sacrifice – Une Lecture de L’Oeuvre de Ken Gonzales-Day

December 4, 2022
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Latinx Project: Latinx Futurisms in (Public) Space

September 27, 2022
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Osage News: Portrait and bust of Shonke Mon thi^

September 4, 2022
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Panorama: Ellery Foutch on Iconoclasm on Paper

June 19, 2022
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Editorial in the Financial Mail: No Healing without justice..

March 18, 2022
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Getty Acquires Major works: Representation Matters

March 11, 2022
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Feminist Media Histories: Queer Archival Autoethnography

March 5, 2022
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Aperture 245: LATINX

December 12, 2021
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Daily Trojan: Artist discusses ‘Erased Lynching’ photo series

November 13, 2021
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Nizan Shaked: Subjugated Knowledges, Revisionist Histories, and the Problem of Visibility

November 10, 2021
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Out of Place: Artists, Pedagogy, and Purpose

November 1, 2021
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Ferrer: Latinx Photography in the United States

October 11, 2021
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LA Times: California has a history of racist lynchings, too.

May 10, 2021
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Washington & Lee University: Profiled

April 6, 2021
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Curationist: Ken Gonzales-Day Finds Incomplete Histories

September 11, 2020
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New Link Art: The Present is a Constant Reminder of the Past

July 31, 2020
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Lenscratch: Gonzales-Day’s History Based Landscapes

June 22, 2020
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Min-Yuen S. Ma: There is no soundtrack

June 10, 2020
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MUSÉE: From our Archives

June 3, 2020
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Ken Gonzales-Day, "“Shonke Mon thi^," Profiled Series, 2014

Recognition of Major Osage Leader and Warrior Opens a New Window Into History

February 20, 2020
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Racial Immanence: Chicanx Bodies Beyond Representation

December 4, 2019
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East of Borneo: Mapping Murals in LA

December 26, 2018
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Vulture: Earnest, Does NYC’s ‘Gay Liberation’ Monument Whitewash Stonewall?

November 28, 2018
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YaleNews: Yale-Smithsonian internships offer exciting research opportunities

September 15, 2018
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Neue Zürcher Zeitung: Lynching in den USA: Auch der Mob mordet mit System

July 16, 2018
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Durango Herald: The legacy of lynching in the West

July 16, 2018
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Smithsonian Insider: By removing victims from lynching photos, an artist emphasizes those erased from history

June 11, 2018
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Les Cahiers de Framespa: L’effacement des lynchages californiens

June 4, 2018
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Smithsonian Magazine: Two Artists in Search of Missing History A new exhibition makes a powerful statement about the oversights of American history and America’s art history

April 6, 2018
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Riot Material: Ken Gonzales-Day’s Bone-Grass Boy

January 27, 2018
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Figures de l’art, #30: Á la péripherie du regard..

November 12, 2017
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Book cover

Routledge: Museums and Photography

October 22, 2017
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KCET: Photographer Parses the Politics and Relevance of L.A.’s Murals and Marks

October 14, 2017
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LAist: This Artist Photographed Murals All Across Los Angeles

October 5, 2017
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David William Foster: Picturing the Barrio

August 25, 2017
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Photograph Magazine: SHADOWLANDS

February 28, 2017
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Star Tribune: An artist’s take on American carnage

January 27, 2017
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Twin Cities Pioneer Press: Art inspired by lynchings in ‘Shadowlands’

January 17, 2017
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LA Weekly: One Woman Is On a Mission to Find All of L.A. County’s Hidden Civic Art

December 20, 2016
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Vanity Fair: The Lure of LACMA.

November 15, 2016
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British Art Studies: Haptic Blackness

November 15, 2016
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Racial Violence in Black and White.

July 13, 2016
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dark landscape with trees

Uncertain Histories: Accumulation, Inaccessibility, and Doubt in Contemporary Photography

April 2, 2016
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Other Journal: Trauma

October 28, 2015
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ARTnews: Ken Gonzales-Day at Luis De Jesus

August 26, 2015
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Getty Iris: LA/LA – Place and Practice

May 15, 2015
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KCET: LA/LA Place + Practice

May 14, 2015
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