Fortress Press: Lynching in the United States

August 7, 2026

OUT: A queer tour of LACMA’s David Geffen Galleries

July 31, 2026

art and cake: Crowd-Pleaser – Ken Gonzales-Day Turns the Lens Inward

July 21, 2026

Traveling Exhibition & Catalogue: Ken Gonzales-Day, History’s “Nevermade”

July 8, 2026

LACMA: Ken Gonzales-Day Excavates LACMA’s Collection in the New Metro D Line Station

May 16, 2026

Smithsonian: The Promise of a Nation

April 4, 2026

THE SOURCE: 5 things to know about artworks for the future Wilshire/Fairfax Station

April 3, 2026

Elizabeth Ferrer: Chicano Camera Culture

February 18, 2026

Annenberg Media: The ‘Nevermade’ Artist

December 12, 2025

VAS: History’s “Nevermade” + Pick of the Week

December 11, 2025

Los Angeles Times: Best of 2025

December 8, 2025

Artillery: Ken Gonzales-Day “Afterlife”

December 1, 2025

Cultured: 13 Must-See Gallery Shows This Month

November 10, 2025

Luis De Jesus Los Angeles : Afterlife

November 8, 2025

LA Times: Powerful ‘lynching’ pictures expose America’s dark past — and today’s turmoil

September 22, 2025

Hyperallergic: Ken Gonzales-Day Centers History’s Margins

September 10, 2025

AZTLAN: Imaginary Body – España, Gonzales-Day, & Sandoval

June 25, 2025

Getty: Queer Lens

June 17, 2025

Aperture: Maurice Berger’s Race Stories

November 23, 2024

Art Journal: Witness Trees

November 20, 2024

For Freedoms: Where Do We Go From Here?

October 20, 2024

PST ART@ Wende Museum: COUNTER/SURVEILLANCE

October 13, 2024

YaleNews: Billboard art project reflects on race and representation

October 1, 2024

Art Journal OPEN: The Color of Joy – A Roundtable Discussion

May 31, 2024

Art Journal: The Color of Joy (winner of 2024 Art Journal Award!)

February 14, 2024

Collaboration: A Potential History of Photography

January 19, 2024

Los Angeles Times: Chicanx bodies front & center

January 2, 2024

Routledge: Companion to Decolonizing Art History

November 27, 2023

Claremont Courier: Lining the walls… Ken Gonzales-Day at Scripps and CLMA

October 26, 2023

Kelee Katillac: Historic Style

October 10, 2023

Mirzoeff: An Introduction to Visual Culture

October 6, 2023

Smithsonian: Portrait of Shonke Mon-Thi^

September 26, 2023

Los Angeles Times: Two rewarding MOCA permanent collection exhibits map L.A. art

September 7, 2023

American Art: Mary K. Coffey, Feeling Brown or Acting White?: Spectacles of Racialized Performance…

August 3, 2023

The Cheech: Xican-a.o.x. Body

June 17, 2023

Archives of American Art Journal: In Another’s Hand

April 1, 2023

L.A.TACO: CALIFORNIA’S LOST HISTORY OF LYNCHING LATINOS IN L.A.

December 22, 2022

Cyrielle Lévêque: Spectaculariser Le Sacrifice – Une Lecture de L’Oeuvre de Ken Gonzales-Day

December 4, 2022

Smarthistory: Ken Gonzales-Day, Erased Lynching Series

November 2, 2022

Osage News: Portrait and bust of Shonke Mon thi^

September 4, 2022

The Racial Imaginary Institute: Claudia Rankine On Whiteness

July 22, 2022

Panorama: Ellery Foutch on Iconoclasm on Paper

June 19, 2022

Getty Acquires Major works: Representation Matters

March 11, 2022

Feminist Media Histories: Queer Archival Autoethnography

March 5, 2022

Block Museum: A Site of Struggle, American Art against Anti-Black Violence

January 29, 2022

Aperture 245: LATINX

December 12, 2021

Scripps Magazine: Critical Action

December 1, 2021

Daily Trojan: Artist discusses ‘Erased Lynching’ photo series

November 13, 2021

Nizan Shaked: Subjugated Knowledges, Revisionist Histories, and the Problem of Visibility

November 10, 2021

Out of Place: Artists, Pedagogy, and Purpose

November 1, 2021