LA TIMES: Two rewarding MOCA permanent collection exhibits map L.A. art

September 7, 2023
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American Art: Mary K. Coffee, Feeling Brown or Acting White?: Spectacles of Racialized Performance…

August 3, 2023
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book cover, pink color, blurry faces

The Cheech: Xican-a.o.x. Body (on view)

June 17, 2023
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Archives of American Art Journal: In Another’s Hand

April 1, 2023
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L.A.TACO: CALIFORNIA’S LOST HISTORY OF LYNCHING LATINOS IN L.A.

December 22, 2022
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Cyrielle Lévêque: Spectaculariser Le Sacrifice – Une Lecture de L’Oeuvre de Ken Gonzales-Day

December 4, 2022
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Run Up

Smarthistory: Ken Gonzales-Day, Erased Lynching Series

November 2, 2022
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Latinx Project: Latinx Futurisms in (Public) Space

September 27, 2022
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Osage News: Portrait and bust of Shonke Mon thi^

September 4, 2022
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The Racial Imaginary Institute: Claudia Rankine On Whiteness

July 22, 2022
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Panorama: Ellery Foutch on Iconoclasm on Paper

June 19, 2022
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Editorial in the Financial Mail: No Healing without justice..

March 18, 2022
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Getty Acquires Major works: Representation Matters

March 11, 2022
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Feminist Media Histories: Queer Archival Autoethnography

March 5, 2022
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Block Museum: A Site of Struggle, American Art against Anti-Black Violence

January 29, 2022
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Aperture 245: LATINX

December 12, 2021
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partial face mold

Scripps Magazine: Critical Action

December 1, 2021
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Daily Trojan: Artist discusses ‘Erased Lynching’ photo series

November 13, 2021
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Nizan Shaked: Subjugated Knowledges, Revisionist Histories, and the Problem of Visibility

November 10, 2021
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Out of Place: Artists, Pedagogy, and Purpose

November 1, 2021
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Ferrer: Latinx Photography in the United States

October 11, 2021
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LA Times: California has a history of racist lynchings, too.

May 10, 2021
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Wende: TRANSFORMATIONS

April 30, 2021
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Washington & Lee University: Profiled

April 6, 2021
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Bridge Projects: To Bough and To Bend

April 3, 2021
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New York Times: Art lights up New York’s dark theaters

March 30, 2021
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Curationist: Ken Gonzales-Day Finds Incomplete Histories

September 11, 2020
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New Link Art: The Present is a Constant Reminder of the Past

July 31, 2020
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MacKenzie Art Gallery: Conceptions of White

July 12, 2020
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Lenscratch: Gonzales-Day’s History Based Landscapes

June 22, 2020
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Min-Yuen S. Ma: There is no soundtrack

June 10, 2020
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National Geographic: ‘It was a modern-day lynching’

June 4, 2020
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MUSÉE: From our Archives

June 3, 2020
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OSMOS Magazine: Selection from the Erased Lynchings series

March 25, 2020
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Ken Gonzales-Day, "“Shonke Mon thi^," Profiled Series, 2014

Recognition of Major Osage Leader and Warrior Opens a New Window Into History

February 20, 2020
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The Guardian: Images of Whiteness

December 13, 2019
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Racial Immanence: Chicanx Bodies Beyond Representation

December 4, 2019
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book cover

1000 Words Magazine: The Image of Whiteness

October 5, 2019
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Skirball Cultural Center: Surface Tension

June 11, 2019
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East of Borneo: Mapping Murals in LA

December 26, 2018
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Vulture: Earnest, Does NYC’s ‘Gay Liberation’ Monument Whitewash Stonewall?

November 28, 2018
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YaleNews: Yale-Smithsonian internships offer exciting research opportunities

September 15, 2018
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Chicago Sun Times: History unseen

July 20, 2018
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AP: Smithsonian gallery explores diversity in US lynchings

July 20, 2018
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Neue Zürcher Zeitung: Lynching in den USA: Auch der Mob mordet mit System

July 16, 2018
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Durango Herald: The legacy of lynching in the West

July 16, 2018
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Smithsonian Insider: By removing victims from lynching photos, an artist emphasizes those erased from history

June 11, 2018
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Les Cahiers de Framespa: L’effacement des lynchages californiens

June 4, 2018
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Smithsonian Magazine: Two Artists in Search of Missing History A new exhibition makes a powerful statement about the oversights of American history and America’s art history

April 6, 2018
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National Portrait Gallery: Unseen – Our Past in a New Light

March 23, 2018
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