Blog Archives

Silent Witness: Violence and Representation.

Shane Anderson, Crystal Campbell, Tania Jabour, Diana McClure, Omar Pimienta and Steve Ruiz, Pros*, Issue 1, University of California, 2011

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In the Studio: Ken Gonzales-Day.

Holly Meyers, Los Angeles Times, Feb. 13, 2011

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Messerschmidt’s Artistic Reception at the Two Fins-de-Siècle.

Antonia Broström, Franz Xaver Messerschmidt 1736-1783, Louvre Editions, 2010

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The Presence of Los Angeles: Prescription and Prediction.

Nizan Shaked. How Many Billboards, MAK Center, 2010

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The Camera and the “Physiognomic Auto-da-fe”: Photography, History, and Race in Two Recent Works by Ken Gonzales-Day.

Jason Hill, X-TRA, Vol. II, Spring 2009

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How Many Billboards: Art in Stead.

Kimberli Meyer, MAK Center for Art and Architecture, Feb. 5, 2010

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Digital Art

Thames & Hudson, 2008, London.

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Ken Gonzales-Day’s Lynching in the West

Juli Carson, CUE Art Foundation, Sept. 7, 2006

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California Strange Fruit: Ken Gonzales-Day’s “Lynching in the West”

Anna Meliksetian, Cue Art Foundation, Sept.7, 2006

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