Blog Archives

Latino Lynchings, Police Brutality, And the Challenges of Minority Law-Enforcement.

Cedar Attanasio, Latin Times, Feb. 10, 2015

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La historia oculta del linchamiento de mexicanos en EE.UU.

Jaime González de Gispert, BBC Mundo, Aug. 10, 2014

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Edge of Twilight.

Ken Gonzales-Day, Connie Samaras: Tales of Tomorrow, Armory Center, 2013

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Edward S. Curtis: Visualizing the ‘Vanishing Race.’

Ken Gonzales-Day, Performing Archive: Ed. by Jacqueline Wernimont, David J. Kim, Amy Borsuk, et al.,
SCALAR, University of Southern California, 2013

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Lynchings in the West, Erased from History and Photos.

Marice Berger, Lens, New York Times, Dec. 6 2012

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From Postcards to Plaster Casts: The Image of Lynching in Kienholz’s Five Car Stud.

Ken Gonzales-day, Art Journal, Vol. 76. No. 1, Spring 2012

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Empire’s Verticality: The Af/Pak Frontier, Visual Culture, and Racialization from Above

Keith P. Feldman., Comparative American Studies, Vol. 9, No. 4, Dec. 2011

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Fragments from the Profiled Series.

Ken Gonzales-Day, X-TRA Contemporary Art Quarterly, Sept. 2011.

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Every Little Move.

Avram Finkelstein, PRIDE X, Gay Pride Festival, Jun. 16, 2011

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Ken Gonzales-Day in COLA 2011

Vanessa Place, COLA 2011, Los Angeles Municipal Art Gallery, spring 2011

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Silent Witness: Violence and Representation.

Shane Anderson, Crystal Campbell, Tania Jabour, Diana McClure, Omar Pimienta and Steve Ruiz, Pros*, Issue 1, University of California, 2011

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In the Studio: Ken Gonzales-Day.

Holly Meyers, Los Angeles Times, Feb. 13, 2011

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Messerschmidt’s Artistic Reception at the Two Fins-de-Siècle.

Antonia Broström, Franz Xaver Messerschmidt 1736-1783, Louvre Editions, 2010

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The Presence of Los Angeles: Prescription and Prediction.

Nizan Shaked. How Many Billboards, MAK Center, 2010

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The Camera and the “Physiognomic Auto-da-fe”: Photography, History, and Race in Two Recent Works by Ken Gonzales-Day.

Jason Hill, X-TRA, Vol. II, Spring 2009

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