Blog Archives

Photographer Parses the Politics and Relevance of L.A.’s Murals and Marks

James Daichendt, PST:LA/LA, KCET, Oct 11, 2017

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This Artist Photographed Murals All Across Los Angeles

Annie Lloyd, LAist, Oct 5, 2017

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10 Artists on Rescinding DACA

Paul Schmelzer, Walker, Sept 15, 2017

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“Strategic Dissemblance in the Photography of Ken Gonzales-Day: Mexican Men and Lynching in California.”

David William Foster, Picturing the Barrio: Ten Chicano Photographers, 2017

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Against the Wall

Ken Gonzales-Day, Frieze Magazine, September 2017

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The Lure of LACMA.

Bob Colacello, Vanity Fair, N0. 676, Nov. 2016

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Racial Violence in Black and White.

Benjamin Balthaser, Boston Review, Jul.13, 2016

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Uncertain Histories: Accumulation, Inaccessibility, and Doubt in Contemporary Photography

Kate Albers, University of California Press, fall 2015

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Angle of View: Histories in Sharp Focus

Ken Gonzales-Day, Huffpost Arts & Culture, Mar. 2015

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You May Have the Body. Or You May Not: Habeas Corpus in the Museum.

Lisa Saltzman, Phantom Bodies, ed. Mark W. Scala, Frist Center, 2015

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Latino Lynchings, Police Brutality, And the Challenges of Minority Law-Enforcement.

Cedar Attanasio, Latin Times, Feb. 10, 2015

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La historia oculta del linchamiento de mexicanos en EE.UU.

Jaime González de Gispert, BBC Mundo, Aug. 10, 2014

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Edge of Twilight.

Ken Gonzales-Day, Connie Samaras: Tales of Tomorrow, Armory Center, 2013

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Edward S. Curtis: Visualizing the ‘Vanishing Race.’

Ken Gonzales-Day, Performing Archive: Ed. by Jacqueline Wernimont, David J. Kim, Amy Borsuk, et al.,
SCALAR, University of Southern California, 2013

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Lynchings in the West, Erased from History and Photos.

Marice Berger, Lens, New York Times, Dec. 6 2012

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