Messerschmidt’s Artistic Reception at the Two Fins-de-Siècle.

Antonia Broström. “Messerschmidt’s Artistic Reception at the Two Fins-de-Siècle.”
Franz Xaver Messerschmidt 1736-1783: From Neoclassicism to Expressionism, Louvre Editions, 2010, Paris, pp. 43-55.

LOS ANGELES—The intriguing series of heads that are collectively known as Character Heads, created by the German Baroque artist Franz Xaver Messerschmidt (1736–1783) during the last 13 years of his life, have become increasingly popular with the general public through a series of recent exhibitions and books devoted to these expressive works. Furthermore, the sculptures, depicting various states of emotion and expression, have also captured the imaginations of generations of artists—especially during the 20th and 21st centuries.

Messerschmidt and Modernity, on view at the J. Paul Getty Museum from July 24 through October 14, 2012, is the first exhibition to explore the contemporary legacy of these surprisingly modern-looking sculptures, which were carved in alabaster, or cast in a lead or tin alloy.  Along with Messerschmidt’s works, the exhibition will feature a selection of modern and contemporary works of art that testify to the lasting impact of these astonishing heads. Eight Character Heads will be exhibited—among them the Getty’s own Vexed Man— along with a newly discovered reduced variation of a now-lost Character Head known as A Cheeky Nitpicky Mocker, which has never before been exhibited publically. Contemporary artists featured in the exhibition include Tony Bevan, Tony Cragg, Ken Gonzales-Day, Bruce Nauman, Pierre Picot, Arnulf Rainer, Cindy Sherman, and Emily Young.

Press Release: The Getty


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