10 Artists on Rescinding DACA

Paul Schmelzer, Walker, Sept 15, 2017

Against the Wall

Against the Wall

Ken Gonzales-Day, Frieze Magazine, September 2017

The Lure of LACMA.

The Lure of LACMA.

Bob Colacello, Vanity Fair, N0. 676, Nov. 2016

Racial Violence in Black and White.

Benjamin Balthaser, Boston Review, Jul.13, 2016

Angle of View: Histories in Sharp Focus

Ken Gonzales-Day, Huffpost Arts & Culture, Mar. 2015

You May Have the Body. Or You May Not: Habeas Corpus in the Museum.

Lisa Saltzman, Phantom Bodies, ed. Mark W. Scala, Frist Center, 2015

La historia oculta del linchamiento de mexicanos en EE.UU.

Jaime González de Gispert, BBC Mundo, Aug. 10, 2014

Edge of Twilight.

Ken Gonzales-Day, Connie Samaras: Tales of Tomorrow, Armory Center, 2013

Edward S. Curtis: Visualizing the ‘Vanishing Race.’

Edward S. Curtis: Visualizing the ‘Vanishing Race.’

Ken Gonzales-Day, Performing Archive: Ed. by Jacqueline Wernimont, David J. Kim, Amy Borsuk, et al., SCALAR, University of Southern California, 2013

Lynchings in the West, Erased from History and Photos.

Marice Berger, Lens, New York Times, Dec. 6 2012

Empire’s Verticality: The Af/Pak Frontier, Visual Culture, and Racialization from Above

Keith P. Feldman., Comparative American Studies, Vol. 9, No. 4, Dec. 2011

Fragments from the Profiled Series.

Fragments from the Profiled Series.

Ken Gonzales-Day, X-TRA Contemporary Art Quarterly, Sept. 2011.

Every Little Move.

Avram Finkelstein, PRIDE X, Gay Pride Festival, Jun. 16, 2011

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