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Essays, catalogs, reviews, interviews

Orientation: The Racial Imaginary Institute Biennial

Jack Shainman Gallery, Jun 28 – Aug 10, NYC

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Surface Tension: Mapping Murals in Los Angeles

Ken Gonzales-Day, East of Borneo, June 26, 2018

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Titus Kaphar and Ken Gonzales-Day Reveal the Fictions in Depictions

Cara Ober, Hyperallergic, June 14, 2018

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By removing victims from lynching photos, an artist emphasizes those erased from history

Maria Anderson, Smithsonian Insider, June 5, 2018

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Ken Gonzales-Day: Surface Tension

Gonzales-Day, Blurb, June 09, 2018

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Intriguing and unexpected art shows you should see this summer

Mark Jenkins, Washington Post, Jun 06, 2018

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L’effacement des lynchages californiens.

Pierre Vialle, Les Cahiers de Framespa, Apr 06, 2018

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Two Contemporary Artists Recast White Male-Dominated World of Portraiture

Brendan L. Smith, Washington Diplomat, May 29, 2018

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Two Artists in Search of Missing History A new exhibition makes a powerful statement about the oversights of American history and America’s art history

Alicia Ault, Smithsonian Magazine, Apr 04, 2018

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Guggenheim Memorial Foundation announces new fellows — and pays tribute to grantees from California

Carolina A. Miranda, Los Angeles Times, Apr 5, 2018

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National Portrait Gallery: Titus Kaphar and Ken Gonzales-Day Explore ‘UnSeen’ Narratives in Historic Portraiture

Victoria Valentine, Culture Type, March 28, 2018

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National Portrait Gallery Presents “UnSeen: Our Past in a New Light: Ken Gonzales-Day and Titus Kaphar”

Press Release, Newsdesk, March 8, 2018

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National Portrait Gallery Presents “UnSeen: Our Past in a New Light: Ken Gonzales-Day and Titus Kaphar”

ArtfixDaily, March 12, 2018

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Ken Gonzales-Day’s Bone-Grass Boy: The Secret Banks of the Conejos River

Ellen C. Caldwell, Riot Material, Jan 27, 2018

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Hunter Drohojowska-Philp checks out PST:LALA shows at the Skirball Center

Hunter Drohojowska-Philp, Art Talk, KCRW, Jan 18, 2018

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