Catalogs

Edward S. Curtis: Visualizing the ‘Vanishing Race.’

Edward S. Curtis: Visualizing the ‘Vanishing Race.’

Performing Archive: Curtis + "the vanishing race.” Ed. by Jacqueline Wernimont, David J. Kim, Amy Borsuk, et al., SCALAR, University of Southern California, 2013, Los Angeles.

Edge of Twilight.

Connie Samaras: Tales of Tomorrow, Armory Center for the Arts, 2013, Pasadena, pp. 30-31.

Ken Gonzales-Day

Cue Art Foundation, NY
 Sept.7 - Oct. 14, 2006

How Many Billboards: Art in Stead.

MAK Center for Art and Architecture, West Hollywood, CA Feb. 5 – April 5 2010

Profiled.

Las Cienegas Projects, Los Angeles Mar. 5 – Apr. 2, 2011

COLA 2011.

Barnstall Art Park, Los Angeles May 22 - July 3, 2011

Portrayal/Betrayal.

Santa Barbara Museum of Art, Santa Barbara, CA Jun. 2 - Sept. 23, 2012

Messerschmidt and Modernity.

The Getty Museum, Los Angeles Jul. 24 – Oct. 14, 2012

Network of Mutuality: 50 Years Post-Birmingham. (travelled)

Network of Mutuality: 50 Years Post-Birmingham. (travelled)

(travelled) Art Gallery, University of Maryland, College Park, MD Jan. 30 - Apr. 27, 2013. Levine Museum of the New South, Charlotte, NC Jul. 24 – Dec. 1, 2013.

Left Coast.

Santa Barbara Museum of Art, CA May 18 – Sept. 7, 2014

Our America: The Latino Presence in American Art

Our America: The Latino Presence in American Art

Hunter Museum of American Art, Chattanooga, TN Feb. 17 - Jun. 4, 2017

The Presence of Los Angeles: Prescription and Prediction.

How Many Billboards: Art in Stead, MAK Center for Art and Architecture, 2010, Los Angeles, pp. 106-117.

Messerschmidt’s Artistic Reception at the Two Fins-de-Siècle.

Franz Xaver Messerschmidt 1736-1783: From Neoclassicism to Expressionism, Louvre Editions, 2010, Paris, pp. 43-55.

Ken Gonzales-Day.

COLA 2011, Los Angeles Municipal Art Gallery, spring 2011, Los Angeles.

Every Little Move.

PRIDE X, Gay Pride Festival, June 2011, New York, pp. 88-94.

Making Faces: Constructed Portraits

Portrayal /Betrayal, Santa Barbara Museum of Art, 2012, pp. 76, 82-83, 2013

Our America: The Latino Presence in American Art

Smithsonian Institution, 2014, Washington DC, pp. 183-189.

You May Have the Body. Or You May Not: Habeas Corpus in the Museum.

Phantom Bodies, edited by Mark W. Scala, Frist Center for Visual Arts, 2015, pp. 21-32.



error: Alert: Content is protected !!