You May Have the Body. Or You May Not: Habeas Corpus in the Museum.

Lisa Saltzman, Phantom Bodies, ed. Mark W. Scala, Frist Center, 2015

Our America: The Latino Presence in American Art

Carmen E. Ramos, Smithsonian Institution, Sept. 01, 2014

Network of Mutuality: 50 Years Post-Birmingham. (travelled)

Network of Mutuality: 50 Years Post-Birmingham. (travelled)

Ken Gonzales-Day, Art Gallery, University of Maryland, Jan. 30, 2013

Edge of Twilight.

Ken Gonzales-Day, Connie Samaras: Tales of Tomorrow, Armory Center, 2013

Edward S. Curtis: Visualizing the ‘Vanishing Race.’

Edward S. Curtis: Visualizing the ‘Vanishing Race.’

Ken Gonzales-Day, Performing Archive: Ed. by Jacqueline Wernimont, David J. Kim, Amy Borsuk, et al., SCALAR, University of Southern California, 2013

Making Faces: Constructed Portraits

Karen Sinsheimer, Portrayal /Betrayal, Santa Barbara Museum of Art, 2012

Ken Gonzales-Day in COLA 2011

Vanessa Place, COLA 2011, Los Angeles Municipal Art Gallery, spring 2011


Ken Gonzales-Day, Las Cienegas Projects, Mar. 5, 2011

Messerschmidt’s Artistic Reception at the Two Fins-de-Siècle.

Antonia Broström, Franz Xaver Messerschmidt 1736-1783, Louvre Editions, 2010

How Many Billboards: Art in Stead.

Kimberli Meyer, MAK Center for Art and Architecture, Feb. 5, 2010

Ken Gonzales-Day’s Lynching in the West

Juli Carson, CUE Art Foundation, Sept. 7, 2006

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